pauraque: drawing of a wolf reading a book with a coffee cup (customer service wolf)
[personal profile] pauraque
I picked up this book because I saw it mentioned as an example of the concept that "Hell is locked from the inside." That is, if God is the source of all good and you separate yourself from God, then your existence can have nothing good in it, and that's Hell. You can escape anytime by reconnecting with God.

Lewis explores this idea by imagining himself being taken on a journey from Hell (envisioned as a dreary, lonely, mostly-empty town in perpetual twilight) to the outskirts of Heaven. Here the "ghosts" of those in Hell are met by people they knew in life, who try to persuade them to enter Heaven instead of turning back. This is very much inspired by Dante, and like Dante, Lewis gets a guide: the Scottish fantasy author George MacDonald, who I'd never heard of, but apparently he was a great influence on Lewis. (Has anyone read his stuff?)

So, why would the dead turn back? Well, because it turns out the hard part of getting into Heaven is letting go of all the damaging patterns that made you miserable in life: Abusively controlling people and calling it love. Feeling big by making others feel small. Manipulating loved ones because you're scared they'll leave you. None of this has any place in Heaven, but most of the ghosts Lewis meets are so entrenched in it, blustering in pride or cowering in terror behind their emotional walls, that they'd rather go back to Hell than admit there's a better way.

Lewis keenly observes the lies people tell themselves to justify their own self-destructive behavior, and it's startling how little has changed in 80 years! Some of the ways these characters talk are chillingly familiar. Though I don't share the religious side of Lewis's worldview, we're certainly in close agreement in our understanding of how people lock themselves in their own personal hell on Earth.

The book is short but impactful. Lewis had a gift for viscerally expressing what his faith felt like to him, which is something I find valuable as someone who has never experienced religious faith. Part of why I read is to better understand what it's like in other people's heads, and this book did that for me.

(Oh, and I'm not being snarky by tagging this as fantasy. He calls it fantasy in the introduction! He makes it clear that he's writing imaginatively and not presuming to describe what the afterlife is actually like, because he can't know that. Well, I mean, I guess he knows now...)
pauraque: Belle reads to sheep (belle reading)
[personal profile] pauraque
This is part 4 of my book club notes on The Way Spring Arrives and Other Stories. [Part 1, part 2, part 3.]

The fiction pieces in this week's selection all leaned horror. I'm not sure how horror genre is defined in Chinese literature and I forgot I was going to ask if anyone else knew.

It is also the one year anniversary of my joining this book club. \o/


"Is There Such a Thing as Feminine Quietness?: A Cognitive Linguistics Perspective" by Emily Xueni Jin (2022) [essay]

An academic take on translation. )


"Dragonslaying" by Shen Yingying (2006), tr. Emily Xueni Jin

Mermaid-like beings are mutilated so they can walk on land and live as second-class humans. )


"New Year Painting, Ink and Color on Rice Paper, Zhaoqiao Village" by Chen Qian (2020), tr. Emily Xueni Jin

A restorer of antiques comes across a painting of a faceless child which may carry a curse. )


"The Portrait" by Chu Xidao (2003), tr. Gigi Chang

A demonic artist steals the essence of the women he paints. )
pauraque: drawing of a wolf reading a book with a coffee cup (customer service wolf)
[personal profile] pauraque
[This is a revision of a review I first posted to [livejournal.com profile] 50books_poc on December 27th, 2010. It has been edited for clarity. Also interesting to note that in 2015 Cooper and her colleagues at the New York Times won the Pulitzer Prize for their reporting on the Ebola epidemic.]

Born in Liberia and descended from the nation's founders, Helene Cooper lived there for 14 years as a member of the wealthy elite. She knew her homeland—its unique history, its sights, its tastes, its scents, its joys and its dangers. When Liberia's bloody revolution finally came in 1980, Cooper had to leave a home she knew well. But as she would come to realize, she did not know it nearly so well as she thought she did.

I didn't know anything about Liberia before I started reading, but that was no barrier; Cooper weaves the story of her nation together with a vivid portrait of her own privileged childhood. Indeed, the two are inseparable. When a group of freeborn and formerly-enslaved Black Americans came to west Africa in 1821 in search of a better home (with the financial and logistical support of white Americans who thought America would be better off without free Blacks in it) they found that the place was inhabited by African people who did not want to be colonized, whether the colonists were white or Black. But the Americans had superior firepower, and they took the Africans' land by force. That was the beginning of Liberia.

The descendants of those Americans came to form Liberia's upper class, the so-called "Congo people." They were a minority who owned and controlled the majority of everything, while the native people of the area lived mostly in poverty. The goal was to create a new nation similar to the US, and the parallels are certainly striking, especially the patriotic propaganda that's fed to the kids about how the country came to be. As a child, Cooper was ignorant of her privilege as a Congo girl. The second half of the book, after her flight to the US, deals with her struggle to understand the privilege she'd enjoyed—and lost—and how it was at the very root of why Liberia as she knew it could not survive.

I think the first half of the book, her experiences before and during the coup, is the strongest. Much of her life in the US is skimmed over quickly; I would have been interested to hear much more about what it was like adjusting to a completely different culture and social position. She makes herself seem somewhat isolated by comparison to the highly interconnected world of her childhood, and I would have liked to see that delved into more. Nonetheless, I found it a good and eye-opening book. It made me think about how much information I'm missing about conflicts around the world, just seeing events in the news with little context or explanation provided.

ExponenTile (2024)

May. 16th, 2025 12:07 pm
pauraque: Guybrush writing in his journal adrift on the sea in a bumper car (monkey island adrift)
[personal profile] pauraque
phone screenshot with colorful grid of number tiles labeled with powers of two

This casual puzzle game by Danish developer Mike Bellika is a cross between 2048 and match-three. Matching three tiles turns them into one tile that's the next higher power of two. Matching more tiles at once results in higher powers of two. If you don't plan your moves the higher powers will be spread all over the board and impossible to match, so it's more of a strategic stop-and-think game than the continuous flow of 2048 where once you get into it the right move is almost always obvious. It can be addictive like 2048, but it hits a different part of the brain.

My only complaint is that with the large board size the tiles' hitboxes are pretty small and I have trouble swiping them with my thumb, so I end up tapping instead of sliding. But since it's not a game you play fast anyway, that's not such a big deal.

You can play ExponenTile in your browser, and there are apps for Android and iOS. All versions of the game are free with no ads. Hat tip to [personal profile] jesse_the_k for the recommendation!
pauraque: Picard reads a book while vacationing on Risa (st picard reads)
[personal profile] pauraque
John Green wants you to know three things:

1. Today, in 2025, the infectious disease that kills the most people worldwide is tuberculosis.
2. Tuberculosis has been curable since the 1950s.
3. The fact that over one million people are dying of this disease every year is a reflection of our collective choices, and if we start making different choices we can save their lives.

Tuberculosis has been part of human life for thousands of years at least, and this book describes how the ebb and flow of its prevalence and deadliness has tracked the changing course of human society, and how our attitudes toward it have in turn changed. The increased population densities of the industrial revolution created ideal conditions for TB to spread, ravaging all classes of society, including the elite. This may have contributed to the bizarre 19th century romanticization of "consumption" as a mark of the sensitive genius, the tragic poetic soul; TB's characteristic symptoms of pallor and bodily wasting were reimagined as delicate, waifish beauty.

But as the germ theory of disease became mainstream and antibiotics made effective treatment possible, romantic "consumption" turned into stigmatized tuberculosis, associated not with an artistic disposition but with poverty. It has become primarily a disease of the global south, where due to systemic inequities in health access, millions of people continue to die of TB today who could be cured by a course of the right antibiotics. Tuberculosis thrives where we do not bother to stop it.

Intertwined through this narrative is the story of Henry Reider, a 17-year-old TB patient who Green befriended in Sierra Leone. Henry puts a human face on a disease that most of us in rich countries no longer see in our daily lives, powerfully illustrating Green's point that we will change our priorities "only when we see one another in our full humanity, not as statistics or problems, but as people who deserve to be alive in the world."

This is not a comprehensive treatment of the history and science of TB, nor of global health policy—the book is only 200 pages long, after all—but more of a high-level overview with pointers to further reading and calls to action. If you've followed Green on YouTube over the past few years as he's gotten involved in health advocacy (and become obsessed with weird tuberculosis-related history facts) I don't think anything in this book will be new to you! But it is good to have it all in one clear and persuasive volume with a popular author's name on the cover to get the message out to as many people as possible. I think it's extremely admirable that he's using his platform and his novelist's flair for a turn of phrase to bring attention to these issues, and I hope it moves the needle.
pauraque: Guybrush writing in his journal adrift on the sea in a bumper car (monkey island adrift)
[personal profile] pauraque
Zak McKracken is a frustrated tabloid reporter who's bored of investigating phoney reports of alien conspiracies and Elvis sightings, but a strange dream leads him to uncover a plot that's all too real: Extraterrestrials are using a sonic weapon to gradually lower the IQ of all humans, leaving Earth ripe for conquest. Fortunately Zak lives in San Francisco, so just up the street is the headquarters for the Society Of Ancient Wisdom, consisting of an eccentric scientist and two college students who've built a spaceship out of a VW van. With their help, Zak must travel around the world (and beyond) to rebuild the ancient technology that will save Earth from terminal stupidity.



I played and beat this game as a kid, but it wasn't one I returned to a lot because I had a low tolerance for dead ends in adventure games. Revisiting it as an adult, it turns out it's actually fairly forgiving for its time, and the story is a lot of fun but it relies on humor that would go over young children's heads. At the time I didn't even know about most of the conspiracy theories they were satirizing! I also don't think it registered with me how funny it is that Zak's boss at the tabloid is actually paying for him to jet around investigating two-headed squirrels and stuff.

Read more... )

Zak McKracken and the Alien Mindbenders is available on Steam and GOG for $5.99 USD. Interestingly, they're selling the 256-color version from 1990 (not the 16-color version I showed here) which was previously only sold in Japan for Fujitsu's FM Towns system. I've never played that edition but I understand it has all the same content, just the art and music are redone. (A fact that I have long known but still have trouble believing is that when you switch the FM Towns edition to the Japanese translation, the characters have bigger eyes. I don't know if the Steam/GOG release preserves this feature or not.)

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